Impetus is nearly impossible to categorize – not because it defies genre, rather it tries to occupy too many of them at once. Fiction, biography, autobiography, documentary and metatextuality all factor heavily into this self-indulgent portrait of creativity and loneliness. Beginning at first as a straight documentary by filmmaker Jennifer Alleyn, Impetus is about making...
The post Slamdance Journal: Impetus appeared first on High-Def Digest: The Bonus View.